Features

Remembering the music legends we lost in 2024

NME remembers the influential and beloved artists who left us this year

Massive Attack tell us about tackling the climate crisis at gigs and new music incoming for 2025

Robert Del Naja and long-term collaborator Mark Donne told NME about the live music industry slowly waking up to the climate crisis, why the band turned down the opportunity to play Coachella 2025 and plans to work with Billie Eilish on her 2025 European tour

Why you should be listening to vinyl through headphones

It’s a lost art, but music with cans really puts you in the groove

100 Artists To See Before You Die: Paul McCartney

Musical genius who quite literally changed the world

Andrew Garfield and Florence Pugh talk sex scenes, first jobs and Chappell Roan

Don't miss 'We Live In Time', the funniest and most affecting romcom in cinemas soon

In 2024, pop stars told invasive fans to back off. How did we get here?

Pop fandom reached a tipping point of toxicity this year – fuelled by the allure of social media virality and the monetisation of parasocial obsession

Odeal: the LVRN-backed rising star redefining R&B with his alté fusion

At first, the south Londoner dominated the alté world – but now, with a softer Afro-R&B sound and renewed TikTok fame, is he still “alté’s renaissance man”?

Clown talks Slipknot’s 25th anniversary tour and future: “We probably have several albums in us right now”

As the masked metallers' anniversary tour hits the UK, the founding member tells NME about the "beautiful" dynamic of the current line-up, how "the days of great music have come and gone" and we're awash with "horrible bands right now", and when fans can expect lost album ‘Look Outside Your Window’

Yungblud tells us about BLUDFEST 2 and “fucking bonkers” new double album: “This is the master plan”

Dom Harrison tells NME about the impact of this year’s inaugural event, overcoming queues and logistical issues, how “cultivator” David Bowie inspired him to curate a genre-defying line-up, plans to take the festival worldwide in 2026, and the “self-reclamation” that is central to his next album
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